服装象西班牙风格。
我只觉得音乐听着熟悉。后来想了想才猜到是唐吉科德。然后到YouTube 上confirmed. 但是当年上海电台似乎就没有介绍作曲家的。不像天鹅湖等老柴的作品。
记得上海电台有时放这的，我记住旋律忘了名字，近几年在YouTube上偶尔看到又回忆起来。
下面这段老柴作曲的歌剧‘耶夫根尼-奥涅金’第三幕的开始曲（波罗内资舞曲）那时上海台也经常放。我老是把那几个串混起来。
太棒了，要是看现场就更棒了。疫情毁掉了一切
我的感觉主要跟音乐走，每次看到4:07-4:57 那段，我激动，叹息，抹泪。。。
服装也很漂亮~
Ludwig Minkus (Russian: Людвиг Минкус), also known as Léon Fyodorovich Minkus (23 March 1826, Vienna – 7 December 1917, Vienna), was a Jewish-Austrian composer of ballet music, a violin virtuoso and teacher.
Minkus is noted for the music he composed while serving as the official Composer of Ballet Music to the St. Petersburg Imperial Theatres in Russia. During his long career, he wrote for the original works and numerous revivals staged by the renowned Ballet Masters Arthur Saint-Léon and Marius Petipa. Among the composer's most celebrated compositions was his score for La source (1866; composed jointly with Léo Delibes), Don Quixote (1869); and La Bayadère (1877). Minkus also wrote supplemental material for insertion into already existing ballets. The most famous and enduring of these pieces is the Grand Pas classique from the ballet Paquita, which was added by Marius Petipa especially for a revival of the ballet staged for the benefit performance of the prima ballerina Ekaterina Vazem in 1881. For this revival Minkus also composed the Mazurka des enfants (Children's Mazurka) and an expanded edition of the ballet's Pas de trois, which would go on to become known as the Minkus pas de trois
Today, Minkus's music is some of the most performed in all of ballet, and is a most integral part of the traditional classical ballet repertory.